na$kar Drops Heavy Cloud-Like Single, Calling Out the Haters, Titled “u.a.g.**”

https://soundcloud.com/user-513626029/na-kar-u-a-g?ref=clipboard&p=i&c=1&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing na$kar has dropped a new single titled "u.a.g.**." The new single has a unique sound...

Malachi Grant Drops New Motivational Song, “Up”

https://soundcloud.com/mghasmusic/up-1 Malachi Grant has dropped a brand new single titled "Up" and is a follow-up to the previously released single, "Ridin For" (Fresh Mix). The new single is a high vibed and well-produced track that is easily placed on...

BLAKE MELVIN Drops Entertaining and Talented Single, “DROP TOP”

https://soundcloud.com/blake-melvin-262185445/blake-melvin-drop-top Blake Melvin has dropped a brand new single titled "Drop Top." The new single is a follow-up to the previously released track, "CYTHINA." The new single "Drop Top" has a heavy and fluid vibe that...

Benzo Has A Request In New Single, “Just Stop”

https://soundcloud.com/elxvated-626221405/juststop?ref=clipboard&p=i&c=1&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing Benzo has dropped a brand new single titled "Just Stop." The new single is a follow-up to his debut...

Ducati James Questions Blacc Zacc’s Sexual Preference In New Single & Visuals, “Blacc Zacc Is A Faggot (Hopefully).”

https://www.youtube.com/watch?v=Lw7p1rQ8JkE Chakhead Clique Mu$ic Group with artist Ducati James have dropped a brand new single with a music video titled, "Blacc Zacc Is A Faggot (Hopefully)." The recent drop by the South Carolina rapper shares his thoughts on fellow...

RATING:

2.5/5

Back February, Big Sean followed up on his career-solidifying opus, 2015’s Dark Sky Paradise, with the commendable I Decided. Despite its redeeming qualities (like scoring the first Eminem internet-breaking moment of 2017 and Sean showing us some great “Moves”), it wasn’t the boost his résumé needed to fully convince his critics and casual fans he deserved to maintain the same conversation as you-know-who and the other guy.

But survey says a 10-month lapse may as well be a long time without songs. Call it either desperation or antsiness to reunite in the mix, however now without (much) warning, Sean links with Metro Boomin (who always wants some more) to rush out one last project prior to the curtain closes on 2017. With the exception of the 21 Savage-featuring “Pull Up N Wreck, ” which packs an enormous beat, non-e of the records indicate there’s enough chemistry between your two All-Star artists to deserve a full-length offering.

Double or Nothing is as much Young Metro’s as it is Sean Don’s, and generally, the heavily sought-after producer holds down his end of the bargain. It’s disappointing no standalone soundbed reaches the hypnotic degrees of Sean’s “Bounce Back” instant classic, but there’s still a tremendous amount of experimentation worth noting throughout the 10-song ultimate misfire.

The Atlanta maestro makes a worthy case for consideration for just about any future cash-ins inspired by “Despacito’s” Reggaeton resurgence on “Who’s Stopping Me” using its guajeo-powered groove and unassuming bass dips.

And while being truly a new-age producer (especially in the era where trap beats always clear the bar), the fusion of his golden 808s with The Brothers Johnson’s famed “Strawberry Letter 23” sample on album-anchor “No Hearts, No Love” exemplifies the way the culture could be propelled further while still recognizing the OG sound framework.

The potency of Sean’s punchlines has been the G. O. O. D. Music star’s biggest catalyst for criticism and oh god! does the facepalm emoji get a work out over these 40 minutes.

As the essential reason for the album is never specified, Sean spends a ridiculous timeframe skeeting on tracks without filter on the filler (e. g. the ethical principles heard on “Savage Time” nearly feel like a slap in the face). When he’s not “eating pussy that tastes like syrup, CÎROC, and coconut” – after blowing blunts with Rosa Parks on the back of the bus – you’ll find him phoning in entire records. Just peep the drowsy “In Tune, ” whose chorus goes “I’m in tune, I’m in tune, I’m in tune, yeah-yeah. ”

Double or Nothing‘s most engaging track comes thanks to “So Good, ” a raunchy parking lot party-starter where Detroit-bred starlet Kash Doll breezes past Sean with a well-manicured appearance, after he shits the bed with the line “Pussy so excellent, I never fuck you in the ass. ”

t’s no secret that today’s Hiphop climate demands artists to “put something out” lest they weather the storm of new rappers (or R&B line-steppers) potentially taking their spot. Maybe he wanted to pad his lavish lifestyle but considering Big Sean’s tenure in the overall game, moving strategically should be the only course of action nowadays.

 

 

 

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