7Churches Is Back With New Single, Hood Cry (Featuring Canibus)

https://soundcloud.com/7churches/hood-cry-featuring-canibus-2 7Churches has dropped a brand new single titled "Hood Cry" (Featuring Canibus). We have featured 7Church previously on their track, "Losing My Mind." We are excited to have the group featured...

Guava-Moon has dropped a brand new single title “Guarana .”

https://soundcloud.com/guava-moon/guarana Guava-Moon has dropped a brand new single titled "Guarana." The single is a follow-up to the previously released track, Soul Reaver(screwed). Guava-Moon is known for his creativity in his music and provides his mind in...

ElaYoshi Delivers A Grimace Sound titled, “Say Something”

https://soundcloud.com/user-839617158/ela-yoshi-say-something-mix2 ElaYoshi has dropped a brand new single titled "Say Something." The recent drop is a signature sound by the aggressive hitter out of Brooklyn. The track is a debut single on his SoundCloud...

Young Yuck Drops New Heavy Flow Track, “Get What I Want.”

https://soundcloud.com/ucknut27/get-what-i-want Young Yuck has dropped a brand new single titled "Get What I Want." The new single by the Deerfield-based artist is a follow-up to the previous album release, "BIRCHWOOD BOYS 2: HYPERSPACE." The new drop "Get What I...

Cush Wallace Drops A Loaded Track Titled “Ammo”

https://open.spotify.com/track/2ChBkUeTMy9EVBIneNrcca?si=0dc8fa961156420d Cush Wallace has dropped a brand new single titled "Ammo." The second track from his 4-track EP titled "Drico II: The Rise of Federico down by Pico." Cush Wallace is based in Central LA and has...

RATING:

2.5/5

Back February, Big Sean followed up on his career-solidifying opus, 2015’s Dark Sky Paradise, with the commendable I Decided. Despite its redeeming qualities (like scoring the first Eminem internet-breaking moment of 2017 and Sean showing us some great “Moves”), it wasn’t the boost his résumé needed to fully convince his critics and casual fans he deserved to maintain the same conversation as you-know-who and the other guy.

But survey says a 10-month lapse may as well be a long time without songs. Call it either desperation or antsiness to reunite in the mix, however now without (much) warning, Sean links with Metro Boomin (who always wants some more) to rush out one last project prior to the curtain closes on 2017. With the exception of the 21 Savage-featuring “Pull Up N Wreck, ” which packs an enormous beat, non-e of the records indicate there’s enough chemistry between your two All-Star artists to deserve a full-length offering.

Double or Nothing is as much Young Metro’s as it is Sean Don’s, and generally, the heavily sought-after producer holds down his end of the bargain. It’s disappointing no standalone soundbed reaches the hypnotic degrees of Sean’s “Bounce Back” instant classic, but there’s still a tremendous amount of experimentation worth noting throughout the 10-song ultimate misfire.

The Atlanta maestro makes a worthy case for consideration for just about any future cash-ins inspired by “Despacito’s” Reggaeton resurgence on “Who’s Stopping Me” using its guajeo-powered groove and unassuming bass dips.

And while being truly a new-age producer (especially in the era where trap beats always clear the bar), the fusion of his golden 808s with The Brothers Johnson’s famed “Strawberry Letter 23” sample on album-anchor “No Hearts, No Love” exemplifies the way the culture could be propelled further while still recognizing the OG sound framework.

The potency of Sean’s punchlines has been the G. O. O. D. Music star’s biggest catalyst for criticism and oh god! does the facepalm emoji get a work out over these 40 minutes.

As the essential reason for the album is never specified, Sean spends a ridiculous timeframe skeeting on tracks without filter on the filler (e. g. the ethical principles heard on “Savage Time” nearly feel like a slap in the face). When he’s not “eating pussy that tastes like syrup, CÎROC, and coconut” – after blowing blunts with Rosa Parks on the back of the bus – you’ll find him phoning in entire records. Just peep the drowsy “In Tune, ” whose chorus goes “I’m in tune, I’m in tune, I’m in tune, yeah-yeah. ”

Double or Nothing‘s most engaging track comes thanks to “So Good, ” a raunchy parking lot party-starter where Detroit-bred starlet Kash Doll breezes past Sean with a well-manicured appearance, after he shits the bed with the line “Pussy so excellent, I never fuck you in the ass. ”

t’s no secret that today’s Hiphop climate demands artists to “put something out” lest they weather the storm of new rappers (or R&B line-steppers) potentially taking their spot. Maybe he wanted to pad his lavish lifestyle but considering Big Sean’s tenure in the overall game, moving strategically should be the only course of action nowadays.

 

 

 

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